Pre-Wired Guitar wiring harness | Modern Style Les Paul kit | Right Handed
£64.99
Order times
I usually make harnesses to order, due to the variety of spec options that could be chosen across the whole range. The current turnaround time for a harness orders is around 5-7 working days depending on quantity of orders in at the time and your order will be updated accordingly when it is dispatched. This turnaround time doesn't include the transit time. Thanks for your patience whilst I get your harness made!
Description
For such a simple configuration, I must admit that the Les Paul harness has been the model I've researched and refined the most in my time making harnesses. I wanted to be respectful of the traditional aspects of the guitar that so many people love, bringing the best out of the iconic Gibson design.
I have decided to bring back 'modern' style wiring to the standard harness range again! I used to offer both styles, but over time found that 50s style simply outsold modern style so simplified things to one type. But have found recently that I have been receiving an awful lot more requests for modern style wiring again, so makes sense to offer it as an option. Seems 50s style doesn't rein supreme anymore!
50s style wiring isn't for everyone, some players find the response too bright, or the natural drop in volume when rolling the tone controls down frustrating. So in those cases, Modern wiring may be the perfect alternative for you! No loss of volume when rolling the tone controls down, but some players do find the natural loss of trebles worth addressing, so I also offer the option of treble bleed caps here to help resolve that. Again, no right or wrong, but hopefully these options offered will help dial in the perfect spec for you and your guitar.
Installing
I have intended for my wiring harnesses to be as simple as possible to install to your Les Paul, as well as writing an in depth fitting guide, and simple to follow wiring diagrams.
The parts I use, in particular the pots, are CTS branded pots which are imperial measurements. If you're fitting this harness to a far east built variant for example such as a Epiphone or similar, then you may have to widen the holes in the body to accommodate for these imperial measurement pots.
For reference, the CTS pots I use in this harness have a shaft diameter of 9.52mm.
You may also require new control knobs to fit the CTS pot 'split shaft' spline diameter of 5.95mm.
If you do require US spec control knobs, we do carry a selection of popular options in stock and they can be viewed in the hardware & plastic hardware categories on the store.
The mounting board I ship my harnesses out on, were taken from measurements of a USA build Gibson Les Paul. The centre to centre measurements between components are -
Centre of neck volume pot and neck tone pot - 63mm
Centre of neck volume pot and bridge volume pot - 50mm
Centre of neck tone pot and bridge tone pot - 50mm
Centre of bridge volume pot and bridge tone pot - 61mm
I do allow for give in all wire lengths though, so if your guitar doesn't perfectly match these measurements, then the give in wire lengths should help account for that when installing. If it is substantially different though, feel free to get in touch and we can see what we can do to make this kit suit your specifica. Les Paul
With or without the toggle harness?
This ultimately comes down to your requirements for the work being carried out. If you're happy with the quality or condition of your existing toggle switch and jack, then you can simply order the pots only section of the harness meaning you can use your existing toggle switch and jack. But if you feel the quality or condition of your existing switch or jack isn't up to the job, then I also offer Les Paul harnesses as a complete kit including a new pre wired Switchcraft toggle switch and Pure Tone Multi contact jack socket. High quality components as a complete upgrade/replacement.
Long or Short, which do I need?
The question I probably get asked most is, "Will I need long or short shaft pots?". Well Gibson are of course known for lots of transitional changes to specs from the golden era right up to modern day. I have compiled a list of Gibson models which use either Short or Long shaft pots on the individual pot listing HERE But, if you're still not sure, the simplest answer is that ALL types of Gibson or Epiphone Les Paul will fit a long shaft pot, as you can adjust the two supplied nuts to suit the height in the body. All Epiphone Les Paul's with exception of the Elitist model use short shaft pots. Also, feel free to send me a photo of the inside of the control cavity or a photo of the pot itself, hopefully I can help identify it for you.
With or without Treble Bleed?
First up, what does it do? A Treble Bleed kit takes the 'high' treble tone frequencies out of the circuit at the volume pot, and puts them back in the circuit as the signal leaves the volume pot. This means the treble frequencies are prevented from naturally bleeding out of the circuit as your turn your volume pot down. The result is a smoothed out treble and a more uniform tone from 1 to 10. Reducing the treble drop out as the volume pot rolls off. Some guitar players wouldn't be without a treble bleed, and many have never used one on their guitars. Truth is, it is very much personal preference. If you like the idea of retaining treble as you roll your volume pot down, then a treble bleed is for you!
Parts used
- CTS '450' Series +/-10% Tolerance Short or long Shaft pots - 550k split shaft
- .022uF 'Yellow Mustard' type tone capacitor (If you'd prefer a different value capacitor, do please get in touch and I'd be more than happy to help, but as standard all of my kits come with .022uF value)
- 20AWG Tinned copper ground
- Soldered using R-Tech Premium Lead-Free (Sn95.5Ag3.9Cu0.6) 22swg Solder wire
RoHS Compliant
Please note - wiring kit does not include new control knobs/switch tip but does include the pot/jack mounting nuts and washers and switch mounting nut.
- For harness kits with the additional toggle section, I use a Switchcraft 3 way short frame toggle switch. (We use this as there is more thread and more space left in switch cavity, makes life a lot easier when mounting!) No need to use an extended knurled nut.
- Pure Tone multi contact jack socket
- Gavitt Braided 22AWG wire
- 20AWG Tinned copper ground
- Soldered using R-Tech Premium Lead-Free (Sn95.5Ag3.9Cu0.6) 22swg Solder wire
RoHS Compliant
Why these spec parts over others available?
Simply put, component choice has been one of the most important parts of my product development. I have worked on guitars for many years, and built these kits professionally since 2015, and as a result have been able to see and experience working on the majority of components available on the market. In my findings, A/B testing and more, I have found the components I decided on for my Signature Series to be the most reliable, best tolerance and great functioning parts to use to help customers get the most out of their instruments. I use CTS '450' series premium spec pots as they have a tight tolerance, and will consistently provide me with accurate value, as well as very solid build quality. I use trusty 'Mustard' style polyester film 'tone' capacitors as in my opinion they simply can't be beat for great value, solid construction, solid lead-outs, super tight tolerances and reliable tone/function. I would personally much rather use a trusty Mustard for example over something like a paper in oil, as from experience that are so much more reliable to use. This is from carrying out a lot of A/B testing, both tonally, as well as armed with the multi-meter for testing values and actual tolerances, as well as handling them to test construction quality for long lasting reliability in use. I use the brilliant 'Pure Tone' Multi Contact Jack sockets as they are incredibly reliable, due to their additional contact points for both tip and sleeve. I use CRL, Oak and Switchcraft brand switches across the range as these are built very well, with care will last for many years to come and have long since provided me with reliable use professionally. All kits are wired up with quality USA made Gavitt wire, it's great to work with, super consistent gauge and provides me with a very reliable quality item for my kits. I totally understand that with anything guitar, it is subjective, but I have, with an open mind, thoroughly tested a broad variety of components over the years and these have all become the items I trust to use every day.
Harness FAQ's
I've been proudly making, developing and installing my pre-wired guitar harnesses since the beginning of the Home of Tone back in 2015 (time flies when you're having fun right!). Although I feel I do my best in covering as much information as possible across the various product listings, fitting guides, wiring diagrams and more, I thought it might be helpful to put together an FAQ's page that covers some of the general additional questions I get asked. You can view these Harness FAQ's HERE
'Ground Bug' deal!
Looking forward to installing your new wiring, but a little worried about making the ground connections to the pot casings? First time soldering and hear the horror stories of frying pots, or just simply want to neaten up your installs? Then the awesome 'Ground Bug' will help with any of these concerns, beginner or pro modders alike. The Ground Bug is a pot washer that fits between the pot casing and the pickguard/body and has a number of lugs (much like with the main signal connections on the pot for example) to which you can very easily solder your ground wire connections too. Completely removing the worry and risk of soldering a pot casing, something I know many guitarists complain about having to learn to do.
I have been stocking Ground Bugs for a while, and they really are the perfect match for a pre-wired harness as they further help you with your installs. So I have set up a 10% off Ground Bug deals when purchased with a Home of Tone Signature Series pre-wired harness. This is an automatic discount code, so all you need to have is a Signature Series kit, and a Ground bug in your cart, and the discount will automatically be applied to the bug for you! Click HERE to view the Ground Bug listing
Do you make custom harnesses?
I'm afraid I do not offer a custom harness service. Only kits developed, tested and listed on my website are the available kits. So no custom schematics etc. If you happen to be local to my office, then I do carry out custom work in house, but in regards to shipped out pre-wired harnesses I do not offer custom kits. I am however happy to use different pot values or cap values within reason if you have a specific requirement that differs to the specs listed above. If this is relevant to yourself then please get in touch to discuss further to ensure the request is possible.
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Order times
I usually make harnesses to order, due to the variety of spec options that could be chosen across the whole range. The current turnaround time for a harness orders is around 5-7 working days depending on quantity of orders in at the time and your order will be updated accordingly when it is dispatched. This turnaround time doesn't include the transit time. Thanks for your patience whilst I get your harness made!
Description
For such a simple configuration, I must admit that the Les Paul harness has been the model I've researched and refined the most in my time making harnesses. I wanted to be respectful of the traditional aspects of the guitar that so many people love, bringing the best out of the iconic Gibson design.
I have decided to bring back 'modern' style wiring to the standard harness range again! I used to offer both styles, but over time found that 50s style simply outsold modern style so simplified things to one type. But have found recently that I have been receiving an awful lot more requests for modern style wiring again, so makes sense to offer it as an option. Seems 50s style doesn't rein supreme anymore!
50s style wiring isn't for everyone, some players find the response too bright, or the natural drop in volume when rolling the tone controls down frustrating. So in those cases, Modern wiring may be the perfect alternative for you! No loss of volume when rolling the tone controls down, but some players do find the natural loss of trebles worth addressing, so I also offer the option of treble bleed caps here to help resolve that. Again, no right or wrong, but hopefully these options offered will help dial in the perfect spec for you and your guitar.
Installing
I have intended for my wiring harnesses to be as simple as possible to install to your Les Paul, as well as writing an in depth fitting guide, and simple to follow wiring diagrams.
The parts I use, in particular the pots, are CTS branded pots which are imperial measurements. If you're fitting this harness to a far east built variant for example such as a Epiphone or similar, then you may have to widen the holes in the body to accommodate for these imperial measurement pots.
For reference, the CTS pots I use in this harness have a shaft diameter of 9.52mm.
You may also require new control knobs to fit the CTS pot 'split shaft' spline diameter of 5.95mm.
If you do require US spec control knobs, we do carry a selection of popular options in stock and they can be viewed in the hardware & plastic hardware categories on the store.
The mounting board I ship my harnesses out on, were taken from measurements of a USA build Gibson Les Paul. The centre to centre measurements between components are -
Centre of neck volume pot and neck tone pot - 63mm
Centre of neck volume pot and bridge volume pot - 50mm
Centre of neck tone pot and bridge tone pot - 50mm
Centre of bridge volume pot and bridge tone pot - 61mm
I do allow for give in all wire lengths though, so if your guitar doesn't perfectly match these measurements, then the give in wire lengths should help account for that when installing. If it is substantially different though, feel free to get in touch and we can see what we can do to make this kit suit your specifica. Les Paul
With or without the toggle harness?
This ultimately comes down to your requirements for the work being carried out. If you're happy with the quality or condition of your existing toggle switch and jack, then you can simply order the pots only section of the harness meaning you can use your existing toggle switch and jack. But if you feel the quality or condition of your existing switch or jack isn't up to the job, then I also offer Les Paul harnesses as a complete kit including a new pre wired Switchcraft toggle switch and Pure Tone Multi contact jack socket. High quality components as a complete upgrade/replacement.
Long or Short, which do I need?
The question I probably get asked most is, "Will I need long or short shaft pots?". Well Gibson are of course known for lots of transitional changes to specs from the golden era right up to modern day. I have compiled a list of Gibson models which use either Short or Long shaft pots on the individual pot listing HERE But, if you're still not sure, the simplest answer is that ALL types of Gibson or Epiphone Les Paul will fit a long shaft pot, as you can adjust the two supplied nuts to suit the height in the body. All Epiphone Les Paul's with exception of the Elitist model use short shaft pots. Also, feel free to send me a photo of the inside of the control cavity or a photo of the pot itself, hopefully I can help identify it for you.
With or without Treble Bleed?
First up, what does it do? A Treble Bleed kit takes the 'high' treble tone frequencies out of the circuit at the volume pot, and puts them back in the circuit as the signal leaves the volume pot. This means the treble frequencies are prevented from naturally bleeding out of the circuit as your turn your volume pot down. The result is a smoothed out treble and a more uniform tone from 1 to 10. Reducing the treble drop out as the volume pot rolls off. Some guitar players wouldn't be without a treble bleed, and many have never used one on their guitars. Truth is, it is very much personal preference. If you like the idea of retaining treble as you roll your volume pot down, then a treble bleed is for you!
Parts used
- CTS '450' Series +/-10% Tolerance Short or long Shaft pots - 550k split shaft
- .022uF 'Yellow Mustard' type tone capacitor (If you'd prefer a different value capacitor, do please get in touch and I'd be more than happy to help, but as standard all of my kits come with .022uF value)
- 20AWG Tinned copper ground
- Soldered using R-Tech Premium Lead-Free (Sn95.5Ag3.9Cu0.6) 22swg Solder wire
RoHS Compliant
Please note - wiring kit does not include new control knobs/switch tip but does include the pot/jack mounting nuts and washers and switch mounting nut.
- For harness kits with the additional toggle section, I use a Switchcraft 3 way short frame toggle switch. (We use this as there is more thread and more space left in switch cavity, makes life a lot easier when mounting!) No need to use an extended knurled nut.
- Pure Tone multi contact jack socket
- Gavitt Braided 22AWG wire
- 20AWG Tinned copper ground
- Soldered using R-Tech Premium Lead-Free (Sn95.5Ag3.9Cu0.6) 22swg Solder wire
RoHS Compliant
Why these spec parts over others available?
Simply put, component choice has been one of the most important parts of my product development. I have worked on guitars for many years, and built these kits professionally since 2015, and as a result have been able to see and experience working on the majority of components available on the market. In my findings, A/B testing and more, I have found the components I decided on for my Signature Series to be the most reliable, best tolerance and great functioning parts to use to help customers get the most out of their instruments. I use CTS '450' series premium spec pots as they have a tight tolerance, and will consistently provide me with accurate value, as well as very solid build quality. I use trusty 'Mustard' style polyester film 'tone' capacitors as in my opinion they simply can't be beat for great value, solid construction, solid lead-outs, super tight tolerances and reliable tone/function. I would personally much rather use a trusty Mustard for example over something like a paper in oil, as from experience that are so much more reliable to use. This is from carrying out a lot of A/B testing, both tonally, as well as armed with the multi-meter for testing values and actual tolerances, as well as handling them to test construction quality for long lasting reliability in use. I use the brilliant 'Pure Tone' Multi Contact Jack sockets as they are incredibly reliable, due to their additional contact points for both tip and sleeve. I use CRL, Oak and Switchcraft brand switches across the range as these are built very well, with care will last for many years to come and have long since provided me with reliable use professionally. All kits are wired up with quality USA made Gavitt wire, it's great to work with, super consistent gauge and provides me with a very reliable quality item for my kits. I totally understand that with anything guitar, it is subjective, but I have, with an open mind, thoroughly tested a broad variety of components over the years and these have all become the items I trust to use every day.