From the Home of Tone bench
Getting the most out of factory pickups; MIM Fender Classic Series 50s Strat
In this article I'm going to share some of the ways I decide on wiring specs, to help achieve a customers goal for their guitar's tone. As well as touch on some of the various steps I take when re-wiring a Fender Stratocaster. The specific guitar in question here was a lovely Classic Series 50s Stratocaster. A made in Mexico model which I'm always impressed by each time I get to see/play/work on. I've owned a couple of the slightly later variant of these, the Classic Player, which were great guitars but I've always liked both the Classic Series and Player models. Great vintage correct styling and build quality in my opinion is usually really nice on this era MIM, would happily own one again!
A partscaster build for Ryan
This build/project was from a few weeks back now and I've been sitting on the photos waiting for a chance to pop them in a write up here on the workshop blog. Finally made it!
Ryan kindly asked me to be part of his partscaster project, and I had a wicked time going through the ideas, remaining parts needed and progressing through the build. I was provided with a Guitar Build body, painted beautifully by Paul at Retro169, in a NOS lacquer checked Shell Pink body, a Hosco neck which Ryan had done a lovely job on oil finishing himself. Oil City pickups. A pickguard, some control knobs and other hardware bits from Charles Guitars, and I supplied the Gotoh tuners, Gotoh bridge, some other items here and there like jack plate, strap buttons, screws etc. And I of course made the loaded pickguard! Here's some photos from the process, where I had to get everything aligned, carry out a fret level, radius, crown and polish, rolled the fretboard edge, full assembly and setup. It turned out great and sounded beautiful, especially when Ryan played it on collection!
Ryan kindly asked me to be part of his partscaster project, and I had a wicked time going through the ideas, remaining parts needed and progressing through the build. I was provided with a Guitar Build body, painted beautifully by Paul at Retro169, in a NOS lacquer checked Shell Pink body, a Hosco neck which Ryan had done a lovely job on oil finishing himself. Oil City pickups. A pickguard, some control knobs and other hardware bits from Charles Guitars, and I supplied the Gotoh tuners, Gotoh bridge, some other items here and there like jack plate, strap buttons, screws etc. And I of course made the loaded pickguard! Here's some photos from the process, where I had to get everything aligned, carry out a fret level, radius, crown and polish, rolled the fretboard edge, full assembly and setup. It turned out great and sounded beautiful, especially when Ryan played it on collection!
Hand cut top nut and setup for a very nice '60 Custom Shop Strat
I have worked on Harrison's awesome Custom Shop '60 Strat before, but in more recent months he has been running BIG strings on it for baritone tuning on standard scale, akin to the likes of Ariel Posen and Joey Landreth for example. But it's time for the Strat to return to standard pitch at E and with it a return to a slightly more common string gauge of 10-48s (we're going for Stringjoy Signatures specifically). So a new top nut was needed along with a tweak to the setup again.
